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#1 You can't get her down, you can't touch her You say she doesn't feel but at least it doesn't hurt She's a wildfire, she doesn't know things burn You can't put her out, and she will never learn You're worried sick but she's gonna be alright She knows how to cope even she's not right She's more like a zombie but at least she's not a ghost Because she found happiness and that's what everyone wants most She knows how to get her way but her emotions just aren't there She's just working to survive. Rebellion, happiness; her air. Consequences don't matter, she's a criminal on the run She knows she's in pain so she ignores it by having fun Her mind's on auto-pilot and the girl's completely numb Don't let her actions fool you, she's not in the least bit dumb Yet still she makes it way too easy for me to see right through That empty mirroring shell of hers that says "I'm just like you." |
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| | Could you rewrite it without using second person? Second person narratives always feel cheap to me. Just to illustrate what I mean, the second line: She doesn't feel a thing but at least it doesn't hurt I think it would be much stronger with a strict 3rd person throughout, or even rework it to be 1st person, because I like the last two lines. |
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